ABSTRACT LINES

When lines cease to be a narrative tool and emerge as a mode of thought, instinct replaces calculated construction. Shaped by the fluidity of randomness, this process liberates the connection between viewer and artwork by allowing the visual experience to transcend formal definitions. These works seek to be felt rather than explained, opening a void for personal interpretation through the removal of narrative intent. The result is a profound study of perception that exposes the mechanisms of visual cognition instead of merely depicting a reality.